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Anyone who has ever worked in publishing has a secret longing: To discover a manuscript, dusty, abandoned, forgotten, transformative, beautiful manuscript languishing in a drawer of an old roll top desk or crammed into a shoe box and pushed beneath a bed. We dream of the jewel in the box that only we can find and open. We dream of unleashing a work of genius on the world. It’s a weird fantasy, I’ll admit, but there you have it.
Gone with the Wind. Confederacy of Dunces. 2666, Emily Dickinson. A Death in the Family. The Diary of Anne Frank. Emily Dickinson poems spilling from tabletops and drawers. Everything Franz Kafka ever wrote – flashes of light winking out of the black rock of a deep mine.
My “jewel in the box” rush came with an email from a rock star author I used to publish. His mom had a novel. He didn’t know what shape it was in…it had been written long ago. Would I look?
Long ago was 1950, the beginning of the years author Ruth Sidransky spent in Vienna, smuggling for Jews who survived World War II hiding in the forest. The novel was huge, literally and figuratively, moving across three continents, a world war, genocide, occupation, a marriage, a love affair, God, torture, revenge, annihilation, religion, joy, belief, endless cruelty and death. We learn to love her new friends and as they become closer the cost of their survival is slowly revealed.
Part Sophie’s Choice, part Everything is Illuminated, Reparations is a monumental book that ends with the surprise choice of a thoroughly modern woman and the triumph of the Jewish people to survive and thrive after certain destruction.
Author Sidransky turned 86 this year; proving you just never know where the diamonds are hiding.
This is one of the third books she’ll publish in 2015.
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