BLOODS TO INK

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While working at a medium-sized publisher, I published a book called The War of the Bloods in My Veins by Dashaun Morris and Jason Davis.  My bosses were not pleased at my authors’ blackness that I was bringing into their temple of arts and letters.  (See Publishers Weekly hard-hitting expose – and yes, my words are ironic – entitled something like “Why is Publishing So White?” Well, It’s white because the white people in charge like it that way.)

My bosses were also not pleased because these were young black gang members and THEY would do the writing. No Yalie would be looking and studying them from afar; the voices would be raw, rising from the street. The point of view would be real, the authors had walked the walk through the violence and horror. They had generated a fair amount themselves.

This, I felt, was the way for the book to have real meaning for others. To create understanding. Even perhaps a little empathy. Anything else, at least to me, was more academic masturbation. It’s easy to feel less fear about a group of people if you categorize them like, say, insects or bacteria strains.

I didn’t understand then that we would all become friends; I would see both young men end of their gang-banging careers. They are now both deeply engaged in raising children, working, and creating. They write a lot about what happened, what they did, what they can’t undo.

We can call many things a “gang.” Banks and corporations are now thought of as “gangs” by many Americans (I like cabal or cartel better). Wars are simply one large gang against the other. Every continent with people has them. Asia and North Africa just gave the world’s gang culture a doozy in ISIS.

Before you read my interview later in the week with my co-author Jason Davis,  you may want to check out the book and/or the newest book trailer.

It’s time we see what this gang thing is really all about. And change it, just like Jay.

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