The New York Times Will Never Cover Publishing without their Dreams of Bestsellers

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http://www.nytimes.com/2014/10/05/public-editor/publishing-battle-should-be-covered-not-joined.html?_r=1

The New York Times is simply not the place to look for publishing insights. First, everyone that writes for the paper has a dream that looks like the one above. That’s right, that old white guy is receiving his Nobel Prize. Folks at the Times also get riled up over such words as Pulitzer, National Book Critics Association, huge advance, Andrew Wiley, multiple book deal and of course, lunch with my agent.

The New York Times is also full of reporter/writers who do not necessarily make a huge amount of money. Their platform – The New York Times – gave many a chance to add  $50,000, $100,000, $500,000 – to their annual income, if they could sell a book proposal to a large publishing company. Many could. Publishers scooped them up like chocolate almond ice cream: They bought houses and sent kids to college on publishing advances.

Alternatively, The New York Times was hugely disrupted by the digital revolution. The New York Times has done a magnificent job of wrapping their heads around what must be done. But that doesn’t mean their hearts are there yet.

So, get your publishing information from somewhere else for awhile. Or, better yet, go write a great book while the whole thing blows over.

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TAKE A SHORT MASTER TO BED: 5 BOOKS FOR 90-MINUTES OF ECSTASY

imagesWriting short. Hemingway could do it.   Proust could not.   Brendan Gill could fit the world in a 300 word New Yorker architecture piece

 Sometimes it is just a matter of space:  If you have a lot, you put more words in. People feel this way about the decoration of rooms as well. It’s a shame.  Like silence, people are frightened of space.

One has big hopes the internet will rein in certain prose;  hypergraphia  be gone! Practice your new art of writing short on @twitter: those 140 characters are a mighty wall.

Writing short is the misty lair of poets. They know something about silence and space and power. They understand less is more. When poets write novels, the result is usually spectacular; they know the right word.  There’s no room in a poem for the wrong one.

 After a difficult day, people say, “Go home. Get in bed. Eat bonbons. Read some trash.” Why read trash?  Trash – literally and metaphorically – is what you’ve been grappling with all day. Don’t wallow in more mediocrity. Treat yourself way better than that. The food should be healthy, the reading very good.  Sheet thread counts matter, but that’s another discussion.

 Get out of your head and your life. Some of the books below are novellas and there is a short story or two. Doesn’t matter. They are the same thing: great art.  These pre-bed reads may be just the thing to erase the trashy memories of the day and reattach your wings:

  1. The Death of Ivan Iylich by Leo Tolstoy – Nearing the end of Romanticism (1800 – 1850, more or less, and easily identifiable by swoons, stolen kisses and heaving bosoms), Tolstoy’s The Death of Ivan Iylich’s 128 pages electrify. In this blasé-toned bomb of a little book, Tolstoy takes us through   the death of a mediocre government worker (he’s middle-aged and has a freakish accident with the drapes) who never once considered his own ending.  Heartbreaking and as real as it gets, this is one great instruction manual on how not to live. Everyone knows an Ivan; he may be working in the next cubicle right now.

 2. The Stranger by Albert Camus – Nobody had really encountered the likes of Camus before (and often called him an “existentialist,” much to the confusion of him and Jean Paul Sartre, that movement’s Buddha), and his work generated many a coffeehouse debate in the middle of the 20th century. Every intellectual sought to understand this cool Algerian thinker, labeled “absurdist” by those who make labels.   He won a Nobel Prize in 1957 and this little 123-page book shows you why: in one violent moment, Camus shows the impossibility of truly knowing what drives humans to do what they do.

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   3. Memories of His Melancholy Whores by Gabriel Garcia Marquez – Known for opening lines that blow your skirt up, this 130-page trip to the top of the mountain begins with “the year I turned 90, I wanted to give myself the gift of a night of wild love with an adolescent virgin.”  The New York Times wrote the line off to Marquez and his love of playing with time, but there is something else here the Times would never spot: the unending well of strange magnificent love that flows through every Marquez book. Love makes time it’s bitch over and over as Marquez proves he was one great magician.

4. The Subterraneans by Jack Kerouac – Once you get over Kristen Stewart being cast in On the Road, give Jack another go. Wild and sexual, The Subterraneans follows the breakup of Leo and Mardou through the smoke rooms  and back alleys of San Francisco on the edge of the 1960s. In this wild 111-page ride, you’ll read some of the greatest sentences ever written about modern America. You’ll also feel San Francisco when it was the heart of counterculture, not computer corporations.

 5. The Awakening by Kate Chopin – In today’s world of undulating booty, it’s hard to imagine an American culture where women’s sexuality constituted the bars of her prison. But that is Edna’s – and every woman’s lot in 1899. Set in and around New Orleans, Chopin’s character is isolated physically and emotionally until she has an affair, a very dangerous pursuit for a 19th Century woman. The book’s original title was A Solitary Soul. Pretty much says it all.

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